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Rie Ogawa
1959 Born in Shinjyuku-ku Tokyo,Japan
1981 Graduated from Joshibi University of Art and Design
1999 Graduated from Yamanashi University ,Master of Art Education
Address: 876-2 Shuimoishimori ,Yamanashi-City.Yamanashi-Pref.405-0015,Japan
Tel: {81-553-23-4401
Exhibitions
1989-2014 The National Art Center,Tokyo( Jiyu Bijutsu Art Exhibition)
1991The 9th Ueno Royal Museum Grand prize Exhibition(10th, 11th, 12th) Tokyo
1992 Selected New Artists in Yamanashi(94E96E98)Yamanashi Prefectural Museum of Art
1993 Selected Modern Art Exhibition Agency for Cultural Affairs Promote(group)
2013 Arts-Depot Art Exhibiton at NY "The mix"@Ashok Jain Gallery@New York
Solo Exhibitions
1997 Gallery Sendagi,(Sendagi,Tokyo) 2000 Yamanashi Prefectural Museum of Art (Kofu,Yamanashi)
2004 Galleria Grafica bis (Ginza,Tokyo)(g06 ,g07)
2011 Gallery Storks -3RF- (Aoyama,Tokyo)(g12,h13)
2012 Curatorfs Eye -Blue Time- Yamanashi Prefectural Museum of Art
Awards
1988 Tama Synthesis Art Special Prize(Tachikawa Wil)
1989 The 1st Japan Grand Prize Exhibition Fuaidou Prize Tokyo Art Holl(Ginza Tokyo)
1991 Izubi Excellent Prize(Izu Festival,Sizuoka)
1992 Aimitsu Prize (Jiyu-bijyutsu ,Tokyo)
Subsidy/Fellowship
1989 Ooki-Subvention of Art :Study and training in Itally
2001Yamanashi Mecenat Association
Public Collection
Yamanashi Prefectural Museum of Literature Yamanashi (Kofu City,Yamanashiken)
Eiwa school(Kofu City,Yamanashi)
Kofu Church
Ashiwada child housu @(Ashiwada village,Fuji )
Ichinomiya Arena@@(Ichiyama CIty,Yamanashi)
Hathuhana Spa@(Yamanashui City,Yamanashi)
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Exclusive member
Japan Artists' Association J
apanese Society of Artistic Anatomy J
apanese Academy of Facial Studies
Jiyu Bijutsu Association
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I believe that we human beings@have a subconscious desire@to face our@fears.
Fears@that@are@trapped@in@memories of things we have@previously experienced in life deep memories, never forgettable and curiosities that have been lost during@our years of@growing up since@childhood.@My portrayal of these fears and illusions, because they are connected@to the@subconscious world,@may@attract the interest@of@viewers;@and@the@sometimes@taboo or@seemingly@immoral aspect of the images may induce unpleasant feelings.

My method of painting is instinctive; I@allow@the images and@impressions to@emerge and grow from the board or canvas I am working on.@Some of my paintings show what appear to be@distorted human muscles or a crowds of grotesque figures with human characteristics done in a style reminiscent of Mannerism and Baroque styles of the 16th century in Italy. I am also influenced by ideas inspired from pictures of human bodies taken by recent photographers.

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MAIN WORK